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menu cookies only essential non-personally identifiable session cookies are used on this site. cookies are files stored in your browser to provide functionality. if all cookies are disabled this site might not work. the next meeting of the trust is on the 22nd of july 2018. applications for grants must be with the secretary by the 22nd of june 2018. unity theatre grew out of the agitprop street theatre in the east end of london in the early 1930s lasting until it was destroyed by fire in 1975. once established, in a converted chapel in kings cross (built entirely with voluntary labour), unity became the inspiration for a national upsurge in drama on social and political issues, since it was the only theatre in london throughout the 1930's, 1940's and early 1950's producing plays on these subjects. alongside shows specially created for unity, it drew on the repertoire of world theatre, including innovative productions of works by clifford odets, sean o'casey, lope de vega, jean paul sartre and arthur adamov. it was the first theatre in england to stage a play by bertolt brecht and it helped popularise the plays of maxim gorky. unity's strength lay with its audience drawn mainly from the trades unions and organised labour movements, but amongst its supporters were many eminent personalities e.g. bernard shaw, h.g. wells, sybil thorndike, beatrix lehmann and paul robeson whose appearance with unity, followed by international acclaim for the political pantomime babes in the wood, marked the peak of the theatre's fame. with the outbreak of war, unity was the first theatre to open in london once the ban on public entertainment had been lifted and it maintained a permanent repertory of plays, satirical revues and musicals throughout the five years of hostilities. it also sent out small groups of performers who, often in hazardous conditions, provided valuable shelter and factory entertainment for those winning the war at home. unity emerged from the war at the head of a national drama movement that was concerned with the lives of working people. soon however, many of the developments pioneered by unity, such as vernacular drama, living newspaper and biting satirical shows, were accepted by the theatrical mainstream and television. many well-known theatre people - lionel bart, alfie bass, michael gambon, bob hoskins, david kossoff, warren mitchell, bill owen and ted willis among them - learned their skills at this influential theatre which was the working people's most sustained and successful contribution to british drama and one of the most important and enduring initiatives in popular culture this century. please click here to access the online grant application the trust & trustees the trust the trust was set up as a charity in the spirit of the traditions of the theatre and its history. the purpose of the trust is: to advance the education of the public by fostering, promoting and increasing the interest of the public in the art of drama and in the co-related arts the trust is governed by a board of trustees. . uk registered charity no.210387 the trustees harry landis - chair trained at the central school of speech and drama, harry is the chairman of , ex president of the actors union equity, executive member of the equity trust fund and an ex artistic director of marlowe theatre in canterbury. he has performed in west end plays, at the national theatre, acted in many films, tv plays & series, and been a freelance director, drama teacher and a member of the lawrence olivier award panel. he has also acted and directed at unity theatre for many years. maureen coman - vice chair ever since going to unity theatre with her parents, maureen has been interested in the drama and unity, where she later worked in stage management and secretary during the1989-1995 revival. a qualified counsellor/therapist she combines her profession and working in fringe theatre production with plays involving social issues. an active member of the committee of since 1995 and fully supports the trust's aim to keep the spirit of unity theatre alive and to help organisations with similar objectives. andreas michaelides - secretary andreas trained as an accountant and joined the trust as such in 1973. he is the author of "how to manage your money, if you have any", a booklet on finance for community and charitable organisations which has sold over 15,000 copies. he has been the secretary to the trust since 1995. clive gehle - trust archivist involved with unity theatre since 1979 and a member of the trust since 1995. originally trained as an actor, he also works as a member of the education team at london's theatre museum, and has also been a curatorial assistant on two major exhibitions "paul robeson" and "the redgrave's". he was library assistant at the british theatre association for 11 years. maggie mccarthy maggie has worked in theatre, tv, film and radio since leaving the rose bruford college in 1967. she has also taught at numerous schools and colleges including the royal college of music. she has always been an active member of equity and is delighted to be involved in the work of the trust. maggie joined the trust in 2008. ann mitchell trained at the pioneering e15 acting school under the guidance of the late joan littlewood, going on to work in theatre, television, film and radio. ann is perhaps best known for her portrayal of dolly rawlins in lynda la plante's first, and ground breaking series, widows. her work also includes direction, writing and teaching. she is a patron of clean break, a theatre & training company for ex-female offenders, and of the landmark, an hiv and aids trust. ann has been a trustee since 1999. katie o'donoghue trained at the unity theatre school, later appearing in unity classics such as winkles & champagne, mother goose and god bless the guv'ner. under gertrude rubenstein she trained as a classical singer and appeared in blitz at the adelphi theatre london, oliver at the piccadilly theatre london (and uk national tour) and the imperial theatre tokyo. she has worked in both film and television and has been a trustee since 2003. kayel o'donoghue dike okoh studied writing for theatre on the ma musical theatre programme at goldsmiths college. his musical “scandinavian heart” was recently performed as part of the camden fringe festival. as a composer, he has also worked for emi music publishing (uk) and has written for various projects including for 20th century fox’s television programme, ‘the simpsons’. dike currently teaches philosophy at the mary ward settlement and has been a trustee since 2014 online grant application the next meeting of the trust will be on the 22nd of july 2018 . applications for consideration at this meeting must be received by the secretary by the 22nd of june 2018 . please read the guidance notes & conditions of grant before applying. applications are to be submitted using the on-line application form on this page. since 1989, the trust has awarded over £800,000 in grant aid to projects meeting the criteria the average grant is between £500 and £750 with a maximum of £2,000 guidance notes and conditions of grant grants guidance notes and conditions of grant 1. brief history and traditions of unity theatre and the trust. unity theatre grew out of the agitprop street theatre in the east end of london in the early 1930's. once established in a converted chapel in kings cross (built entirely with voluntary labour) unity became the inspiration for a national upsurge in drama on social and political issues, since it was the only theatre in london throughout the 30's, 40's and early 50's producing plays on these subjects. alongside shows specially created for unity, it drew on the repertoire of world theatre, including innovative productions of works by clifford odets, sean o'casey, lope de vega, jean paul sartre and arthur adamov. it was the first theatre in england to stage a play by bertolt brecht and it h

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